I had a hard time deciding what story to read first for this blog. I knew I wanted to read a long Conan story because I just got volumes 2 & 3 of the Del Rey Conan anthology in the mail. The choice was between “Hour of the Dragon” and “Beyond the Black River.” I’ve read Black River before but was considering reading it again because it’s great and if I kick my shiny new blog off with a good story I’m more likely to stay interested until new habits form. I haven’t read Dragon, so if I picked that I’d get to read something new, but it might not be good. Since you’ve already read the title of this post, you know I decided to take a chance on the new material. So here we go. Incidentally, this story comes from volume 2 of the aforementioned anthology, The Bloody Crown of Conan, by Robert E Howard.

The story kicks off with four guys with an axe to grind (not the four guys on the book cover, they’re just mooks). They all have their own motivations, but the short version is that they want to kill Conan, king of Aquilonia, and restore the rightful heir to the throne (for those not familiar with Conan’s story arc, this is a legitimate beef. He killed the old king and all his relatives before declaring himself king of Aquilonia; one guy just happened to be out of town at the time. Conan’s a jerk). They’ve decided that the best way to accomplish their goal is to locate the three-thousand-year-old mummy of an evil wizard, steal the only artifact that can bring him back to life, perform a blasphemous ritual to resurrect the old codger, and then trust him to think of a way to get rid of Conan.
Savvy readers will note that this is not a good plan. Not only does it conspicuously lack an endgame, it also calls for the resurrection of an ancient evil which will surely double-cross its allies. In the conspirators defense, this is the third (probably, Howard wrote the Conan stories all out of order) major attempt to remove Conan from the throne and the other two, despite being well-organized, were spectacular failures. If they’re grasping at straws by this point, that shouldn’t be a surprise.
So the conspirators perform the aforementioned blasphemous ritual, give the magical artifact to the newly-revived mummy, and, because his three-thousand-year-old burial robes didn’t make the transition very well, dress him in a black velvet robe printed with gold stars and crescent moons purchased specifically for that purpose. This is a great example of how fiction sometimes ages weirdly. In the ’30s black robes with moons and stars were probably considered appropriately sinister apparel for evil wizards. Today they’re not, and it’s a jarring image. I reconcile the problem by imagining the following off-screen dialogue between the conspirators immediately before the ceremony:
Orastes: Tarascus, did you get the robe?
Tarascus: Yes, it’ right here.
Orastes: Good, let’s…wait a minute, why does it have these moons and stars all over it? Did you get this from the magical supply merchant like I told you to?
Tarascus: Of course, what other merchant would have a black robe with stars and moons labeled “evil wizard’s robe?”
Orastes: Well, right off the top of my head, the costume merchant.
Tarascus: Oh. I guess that explains the wigs.
Orastes: Nevermind, we don’t have time for this. Xaltotun’s been out of circulation for three thousand years. We’ll just tell him this is what all the evil wizards are wearing these days.
And…problem resolved. The conspirators get Xaltotun (that’s the mummy) up to speed and he’s on board. The chapter ends with the wind howling ominously in the background.
